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Author: Umuzi

I call Madrid the home of PDA (Public display of affection), because the first thing I noticed when I arrived there was that people were never too shy to express their love for one another.  Everywhere I went I saw people holding hands, kissing passionately or just sharing subtle moments while they loved each other loudly. Puerta de Toledo, Calle General Rodriguez and Plaza de Mayor quickly replaced Noord, Bree and Jeppestown. As a temporary citizen, they became my common spaces and I spent hours observing people living their lives.

It was here that I witnessed young fathers taking care, and nurturing their children effortlessly, where I experienced an environment with a little less violence; I experienced people living life and not surviving it. The city buzz, loud street vendors and crowded streets were replaced by Christmas lights, people walking dogs and cyclists. It was a huge contrast being in a city where the Vrr Phaa did not entice pedestrians and where every building had a cross on its roof top. I spent most days walking on Calle General Rodriguez which was the street between the apartment where I lived and the studio where I worked, a street with no more than 5 or 6 people of colour who all felt the need to give a slight wave or a salute as if to say ‘Aluta Continua mntase’.

My time in Madrid was the first time I really felt alone, the first time I had no choice but to be an adult and be strong. On my first day I found out that there were few people who cared for the English language and that my inability to speak Spanish would result in my total alienation from most conversations, while I recovered from that I had to deal with the fact that I would have to survive two months with no atchar or vinegar on my chips. Before I left I did not think about the culture shocks I would experience while I was there and I did not imagine that they would cause extreme anxiety on some days.  What hit me hardest was adjusting to living in a country that was also a former colonizer because after all I had come from a former colony, and the contrasts were obvious. The first was the many monuments that still hailed people like Christopher Columbus as pioneer navigators who discovered unknown lands, leaving out the fact that those lands had people, natives occupying them. I was often struck by the somewhat ignorant attitude that the locals had towards the historical effects of European colonialism, I found myself often being corrected when I used the term ‘we were colonised’ instead of saying ‘we were conquered’ which was the more acceptable term. I spent most days comparing the differences between where I had come from, a former colony and where I was, a former coloniser.

I lived near the Rio del Manzanares River which is right across the home stadium for Atletico Madrid, the view from my room seemed too good to be true, magical sunrises and mesmerising sunsets. The energy from the stadium during matches was electric, though often times I felt like it lacked ‘that thing,’ perhaps due to the lack of vuvuzela sounds.

The studio was spacious and easy to work in despite the cold; it quickly became one of my favourite spaces because I could get lost in the work while I was there. Taking pictures was the most liberating thing I did while I was there…because it was the only thing that was familiar to me. It was the only exercise that did not require much conversation and it became my relief, I set up a makeshift studio in the space that was provided to me, I got the other artists from the studio to pose as models for my shoots and just like that work was underway. Everyday my main focus on most days was to get to the studio and get work done.

 

The idea that working class people in the Spanish context are considered to be at a lower class even if they can afford to ride on hover boards and buy soccer stadium tickets any day of the week to support the working man’s team, Atletico Madrid, took me a while to grasp. Because where I had come from, working class meant living on an income of less than R2500 a month and being thankful if you can get to eat meat for more than once in a single month.  I was often conflicted because even though I was told that the barrio I lived in was made up of predominantly working class citizens, it still had some aspects of a middle class neighbourhood in the South African context, I felt more like I was living in the Hyde Park of Madrid, with its self-conscious citizens who went on jogs twice every day, fur coat madams who dressed to kill for a walk  to the local store and dogs and their masters taking strolls through the Rio del Manzanares park on an average weekday.

Being a temporary citizen in a foreign city helped me grow more in two months than I could have in my whole life. I learnt that language though sacred, can also become a form of oppression in some instances, I learnt that even though people look different, even though we speak different languages at some point our different experiences shape how we see the world and how we interact with other people. As an artists I learnt that you will not always have what you need to produce a good body of work but at all times you must do what you can with what you have, I learnt how to passionately produce a body of work in a short amount of time whilst also curating and installing an exhibition in an unknown and unfamiliar space. More importantly I learnt that the world is not always willing to learn about our continent and the beauty and wealth it holds, thus as African creatives it’s important for us never to filter our voices to suite the world and that our stories are just as important and that they need to be told by us, now more than ever, and I can only hope that I will continue to produce from Africa, to the world.

By Tshepisoka Mabula

Countering the exclusivity and inaccessibility of art, First Thursdays is a free cultural exploration of art galleries, live music events and reclamation of the city. Last night academy recruits, alumni and community members infiltrated Braamfontein to attend Umuzi’s very first pop up exhibition at the popular First Thursdays art walks.

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Curated by american based photographer Moyo Oyelola and Umuzi creative directors Nthabiseng Lethoko and Odendaal Esterhuyse, the thought provoking exhibition presented an opportunity for new and old Umuzi community  members to come together over a glass of wine and thought provoking art.

Forming part of a host of exhibitions and activities for the first First Thursday of the year, Umuzi recruits exhibited a series of multimedia installations and artworks around the themes of spiritual deprivation, gentrification and addiction.

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Following a successful showcase in December, the second showing of Lost in the World boasted a surprise performance by writer, multimedia recruit and all round creative Ramoloti Kganakga. Dressed as a vagabond, Kganaka tackled issues of gentrification and other forms of systematic oppression in a commanding spoken word piece. Caught off guard, audience members were challenged to interrogate their own prejudice towards marginalised people.

Despite a downpour of rain,the night was a great success that saw new and old community members network, share ideas and socialise in the name of art.

We would like to thank  Southpoint Central for helping us host a spectacular first First Thursday exhibition and look forward to working together and making creativity more accessible.

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This is our work
Introducing the Power of 50 Gallery, a series of a Photographic collection by the class of 2014.

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Seven of our P50 students were given an opportunity to be photojournalists on behalf of Between 10and5.  The collaboration was with Levi’s Pioneer Nation Festival that was held in Braamfontein.  In the two weeks of the experience, four training workshops were completed, five interviews were published, and Thirty-three photographs were taken by the learners.
18 months ago we embarked on a journey to solve 2 main concerns in the creative economy: access to creative education and transformation of the sector. Together these were insurmountable hurdles to the creative economy for even the most passionate and talented young person from ekasi.

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 A round of applause for Mongezi Xhoma from the #P50 Graphic Design class for winning KOO’s Heritage Month T-shirt Design challenge. The exciting news was announced on Tuesday night at The Eatery in Parkmore by Ashraf Garda , one of the competition’s official judges.
 #UmuziMasterClass is a series of talks hosted exclusively for the Power of 50 learners. The talks are aimed at providing the students with a holistic understanding of the skills and the journey of an expert from the creative industry. Master Classes have happened throughout the year and includes the likes of Xolisa Dyeshana, Chris Saunders, Debora Patta, Richard Mullholland and Don Packett. Yesterday Umuzi added three more spectacular names to the class. Rita Doherty (Chief Strategist at Draft FCB), Thato Magano (Marketing and Communications Manager for Vanguard Media) and Wynand Botha (Art Director at Joe Public)

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The Click continues to showcase the most creative work and profiling the best performing learners from the Power of 50 on a monthly basis.  It is with pleasure that we announce September’s most renowned  student, Simphiwe Ishmael Khumalo.

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Three Levi’s Pioneer Nation interviews conducted by P50 students were published on the Between 10and5 website in the previous week and one more was published yesterday. We are proud to see our budding photojournalists taking part in what they love and appreciating it.

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A week ago, we announced our partnership with the Between 10and5 team for an opportunity that offered seven of our Power of 50 students to become photojournalists. The students have since embarked on writing, editing and interviewing workshops that has successfully helped their photojournalism skills.

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